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Camera & Grip Equipment

Busan Film Commission possesses high-quality personnel who have completed training courses in digital movie camera and film camera servicing.

Busan Film Commission possesses high-quality personnel who have completed training courses in digital movie camera and film camera servicing. It also has rich data on cameras and lens. Based on such resources, the commission is offering the best service.

Camera & Grip Equipment
Equipment List Feature Rental Fee (US $) Remark
Day Week Month
RED-EPic Digital 700 2,800 10,500 Lens included
RED-MX Digital 700 2,800 10,500
Sony PMW-F3 Digital 300 1,200 4,500
ARRIFLEX 535B Film 700 2,800 10,500
BL Evolution Film 500 2,000 7,500
Panther Evolution Dolly 250 1,000 3,750 Rails included
Panther Foxy Crane 200 800 3,000
MAC. Final Cut Pro Editing Room 100 400 1,500

Camera Package

Camera Body, Matte box, Head, Tripod, 400Ft Magazine(2), Master Lens (ARRIFLFX 535B: Ultra Prime T1.9 / BL Evolution: Super Speed T 1.3), Zoom lens, Follow focus, Filter 15ea, Monitor, Chager & Battery

  • BL Evolution camera with Ultra Lens requires additional fee of US$ 100 per day.
  • Sony PMW-F3 camera with Ultra Lens requires additional fee of US$ 100 per day.
  • Inquire for the rates for equipment unlisted above.

RED-ONE

RED-ONE
FILM FORMAT 35mm
PIXEL ARRAY 5120 (h) x 2700 (v)
S/N RATIO 66db
Dynamic Range 13+ stops
MAX IMAGE AREA 4480 (h) x 2304 (v)
LENS COVERAGE 24.2mm (h) x 12.5mm (v) x 27.3 mm (d)
DEPTH OF FIELD 4.5K RAW (2.4:1)
4K RAW (16:9, HD, 2:1, and Anamorphic 2:1)
3K RAW (16:9, 2:1, and Anamorphic 2:1)
2K RAW (16:9, 2:1, and Anamorphic 2:1)
PROJECT FRAME RATES 23.98, 24, 25, 29.97 fps @ 4.5K, 4K
plus 50, 59.94fps @ 3K, 2K
DELIVERY FORMATS 4K : DPX, TIFF, OpenEXR (RED RAY via optional encoder)
2K : DPX, TIFF, OpenEXR (RED RAY via optional encoder)
1080p RGB or 4:2:2, 720p 4:2:2 : Quicktime, JPEG
Avid AAF, MXF. 1080p 4.2.0, 720p 4:2:0 : H.264, .MP4
MONITOR OUTPUTS HD-SDI and HDMI with Frame Guides and Look Around
720p RGB or 4:2:2
SMPTE Timecode, HANC Metadata, 24-bit 48Khz Audio
DIGITAL MEDIA REDFLASH (CF) Module : (16GB Media)
RED SSD™ (64GB, 128GB, 256GB Capacity)
REDCODE™ 12-bit RAW : RC28, 36, 42 Quality Levels
1-30 fps 4.5K, 4K
1-60 fps 3K
1-120 fps 2K
AUDIO 4 channel, uncompressed, 24 bit, 48KHz.
MONITORING OPTIONS RED LCD 5" Flat Panel Display
RED PRO LCD 7" Flat Panel Display
BOMB EVF™ High Definition Viewfinder
REMOTE CONTROL USB-2, GPI Trigger
WEIGHT 10lbs. Body
CONSTRUCTION Aluminum Alloy
TEMPERATURE RANGES Operating Range: 0˚C to +40˚C (32˚F to 104˚F)
Storage Range: -20˚C to +50˚C (-4˚F to 122˚F)
* FROM REDCINE-X

ARRIFLEX 535B

ARRIFLEX 535B
FILM FORMAT 35mm
FLANGE FOCAL DISTANCE 51.98 - 0.01 mm
LENS MOUNT 54mm PL-mount adjustable for filming in super 35 mm format
MIRROR REFLEX SHUTTER mechanically adjustable from 11° to 180° in 15° steps, and 144° / 172.8°
FILMING SPEED 3 to 60 fps, foreward and reverse, digital pre-setting or continuous control(crystal-accurate) via the RCU-1, fixed adjustments of 24/25/29.97/30 fps frame rate indicator on LCD
SENSORS shown on camera's display are : film jam, film end, improper movement position, magazine improperly mounted, rear film guides disengaged. If the camera is not ready for operation, running control lamp illuminates red
MAGAZINES 400 ft / 1000 ft (120 m / 300 m) coaxial magazines, lightweight magazine LM-1

BL Evolution

BL Evolution
FILM FORMAT 35mm
Movement 3p/4p The 35 BL Evolution movement is an optimised version of the BL4s movement and can be installed in ARRI BLII, BLIII, BL4, and BL4s cameras. The movement includes a pitch-control and, together with the Evolution film gate, a maximal noise reduction is achieved.
Mount Modification The Super 35 Mount Modification is the installation of an interchangeable mount for S35 / N35 for BLIII and BL4s. The camera must be reworked by P+S Technik.
Time Code Aaton We offer the integration of AatonCode in your Arri 35 BL camera.
Electronics The digital electronics allow the use of a powerful and at the same time light-weight motor. Simple programming of the electronics by selecting "JOG". The new Evolution electronics reduce the weight of your camera.
Super 35 & Film gate Using the Evolution Film gate makes your camera run even more silent. The gate is excatly fitted and will not move. Interchangeable masks make sure that you get a precise film channel in different formats.
Upgrade to BL4s The P+S Technik BL magazine upgrade to BL4 makes your magazine run smoother and more silent. The adjustable film loop makes the handling much easier.

Sony PMW-F3

Sony PMW-F3
FILM FORMAT 35mm
Weight 2.4kg (Body Only)
Power DC 12V(10.5V-17.0V)
Power consumption Approx. 24.0W (General)
Operation temperature 0 ~ 40°C
Battery operating time (in succession) Approx. 130 mins. (HD-SDI Dual Link ON)
Approx. 170 mins. (HD-SDI Dual Link OFF)
Viewfinder 0.45 inch, Aspect Ratio 16:9
LCD monitor 3.5 inch, Aspect Ratio 16:9 Hybrid type
Type ExpressCard/34(X2)
Interface ExpressCard Compatible
Built-in speaker Mono

Panther Evolution

Dimensions

Panther Evolution
Length 84 cm
Width min.53,5 cm / max. 82,5 cm
min. height 68 cm
max. height 138 cm narrow track / wide track
Track width 36 cm / 62 cm
Wheel base 75 cm / 62 cm
Ground clearence 2,5 cm
Ground clearence with distance axes 6,5 cm
Columnlift 100 % (68 cm)
Turning circle 197 cm

Panther Foxy

Remote Version

Panther Evolution
height 10,7m / 36ft
max. reach 10,8m / 35.5ft
max. payload 80kg / 176lbs